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« on: June 29, 2016, 06:58:09 PM » |
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________________________________________ The Patriot Post - Alexander's Column 6-29-2016 From The Federalist Patriot Free Email Subscription ________________________________________
The Declaration of Dependence Hamilton, and BO's History of Liberty
By Mark Alexander
Jun. 29, 2016
“Cunning, ambitious, and unprincipled men will be enabled to subvert the Power of the People and to usurp for themselves the reins of Government, destroying afterwards the very engines which have lifted them to unjust dominion.” —George Washington1 (1796)
The foundational tenet of The Patriot Post’s mission2 is to promote Liberty every day. But there are two days on our Patriot calendar set aside to celebrate Liberty.
The first is Patriots' Day3, April 19th, when in 1775 the first shots of the American Revolution were fired against government enforcers who were ordered to confiscate arms in Concord.
The second, of course, is Independence Day4, celebrating the signing of America’s unanimous Declaration5 that Liberty is an unalienable right of all men, as “endowed by their Creator6.” Eleven years later, those who survived the Revolution codified that endowment of Liberty in our nation’s formative Constitution7.
To understand the essence of American Liberty8, I have invested much of my life studying the years between 1760 and 1800 and the Americans who declared and fought for the endowment of Liberty for all generations to follow.
With that as a backdrop, in the last 48 hours I have received six invitations to attend the Broadway production “Hamilton,” Lin-Manuel Miranda’s “rap musical” ostensibly about Alexander Hamilton. Miranda, who wrote the book (winning a 2016 Pulitzer for drama) and music (winning a 2016 Grammy), has, of course, cast himself in the starring role, though he is hardly typecast for Hamilton’s character.
According to those who are interested in theatrics, Miranda, a liberal celeb, is talented — just not in a trade that I appreciate.
Theater isn’t “my thing,” though I have attended two musical productions in my lifetime: “Phantom” and “Les Misérables.” The former was at Her Majesty’s Theatre and the latter at Queen’s Theatre in London. Yes, those shows were on my wife’s bucket list, and, yes, my attendance was compulsory. (Don’t tell anyone, but I enjoyed both.)
When it comes to our Founding Fathers, Miranda’s Puerto Rican rap falls into the “non sequitur” category. But I am of the opinion that anything that might inspire contemporary “touchy-feely-artsy” folks to learn something of our history, however marginal, can be admirable. Few of them under 40 have ever had a basic civics or American history course.
And why would young people think the history of Liberty is relevant, given advice like this from sitting Seventh Circuit Court Judge Richard Posner this week: “I see absolutely no value to a judge of spending decades, years, months, weeks, day, hours, minutes, or seconds studying the Constitution, the history of its enactment, its amendments, and its implementation. Eighteenth-century guys, however smart, could not foresee the culture, technology, etc., of the 21st century. … Which means that the original Constitution, the Bill of Rights … do not speak to today.”
Naturally, the Broadway production received rave reviews from The New York Times, where one critic summed up the rest: “This brave new show about America’s founding fathers has been given the kind of worshipful press usually reserved for the appearances of once-in-a-lifetime comets or the births of little royal celebrities. Yes, it really is that good.” More recently, the reviews from some leftist quarters, including Slate, have been less than enthusiastic9.
Now, I don’t take my cultural (or any other) cues from the Times or Slate, but my opinion about “Hamilton” was actually on the favorable side. Favorable, that is, until I was inundated with invitations this week — all of which were in the form of fundraising appeals.
Who would be so persistent in using a revisionist Broadway hit to raise money?
Four invitations were from Hillary Clinton10 and Bill Clinton11, and two were from Barack Obama12.
In Clinton’s lottery offer to win tickets and attend the show with her, she urged, “The best moments of our nation’s history teach us that anyone can smash every expectation we have for them and shape the course of our collective history. This is a show about who we are, about our potential as a nation, about our dreams for our country and our children. R.W., I want to experience that with you!”
Who is “R.W.,” you ask?
Yes, I subscribe to a lot of “enemy intel” in the form of daily emails from Clinton’s campaign, Obama’s administration and even the daily Communist Party USA rants. I use the alias of my mentor, “R.W. Reagan.” (The NSA’s trolling software must burp when assessing the variety of content in my inbox.)
After the Clinton invites, the two from Obama included this message: “Way back in 2009, we invited a young, talented writer named Lin-Manuel Miranda to perform at the very first White House Poetry Jam. In seven short years, Hamilton has gone from a spark in Lin-Manuel’s brilliant mind to a landscape-changing, genre-reinventing, revolutionary piece of musical theater. I have to admit I’ve seen it twice — we’ve invited the cast to perform at the White House and even introduced the show at the Tonys. You could say that Michelle and I are superfans. As Alexander Hamilton says, ‘America really is a great unfinished symphony.’ Hillary’s team is saving seats…”
OK, enough already. I think in his roundabout way Obama just took credit for Miranda’s success. If Leftmedia endorsements weren’t quite enough to send me the other way, the Clinton and BO superfan promos closed the deal. Oh, and the Alexander Hamilton never said, “America really is a great unfinished symphony.”
And that brings me full circle — to Obama’s relentless effort to finish our historic symphony of Liberty by rewriting it.
Whenever BO or his Democratic Party13 lap dogs mention our Founding Fathers, our Declaration of Independence or our Constitution, I suggest you listen with the ear of a well-informed skeptic.
Obama’s understanding of his family roots is as delusional as his interpretation of our nation’s foundational roots. The first paragraph of his White House bio has, since January 20, 2009, asserted, “His story is the American story — values from the heartland, a middle-class upbringing in a strong family…” That description bears absolutely no resemblance to his tragic childhood12.
Ahead of our 240th Independence Day anniversary — the last during which Obama will occupy the Oval Office — let’s look back at a few of his more delusional references to our Founders and the Declaration of Independence.
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